Well, Christmas has really crept up this year. It seemed to be November for ages, then December has flown by in a flurry of sales and busy-ness. I can't complain, and the thought of literally hundreds of people opening Blue Forest Jewellery handmade presents on Christmas Day all over the world really makes me proud and happy. Sometimes selling online seems like such a slog, but at times like this it all seems worth it.
For me, creating something beautiful (hopefully!) that lasts and has meaning for the person giving it as a gift and for the person receiving it, is very satisfying. I always remember listening to a radio programme where people were phoning in to talk about the objects which meant the most to them, and for the women ringing in, it was almost unanimously pieces of jewellery that people had given them or they had bought for themselves to mark significant events which were talked about. Jewellery is more than something pretty - it's a little shared luxury that says something about the taste and personality of the person wearing it. And it has the permanence that a bunch of flowers or a box of chocolates can't compete with.
When I was a child, jewellery was much more of a luxury. Women saved for items like 9ct gold gate bracelets, or waiting until significant events or anniversaries for them, and cherished the relatively few pieces they had bought or been given. Nowadays you can easily buy a pretty pair of earrings with your weekly supermarket shop, and the relatively low cost of pieces means that far more people can treat themselves more often. I love that. Little luxury treats make difficult times more bearable, whether it's the effects of a world recession, or a personal or family crisis, there is meaning in people, especially women, stopping amidst their busy and difficult lives to say 'I want to get myself a little something to wear that looks good and makes me feel good.'
Enough of the philosophising, I hear you cry. What have you made this week?
Well, there is a bag charm from beautifully carved tigers eye Lily beads and freshwater pearls. Very delicate!
More earrings with drawbench glass beads.
A lucky lady will be receiving this statement leaf charm necklace for Christmas.
And these birds nest bracelets were listed and started to sell.
Very please to appear in the January edition of Bead Trends too with my field of flowers pendant
Happy holidays to all my blog readers and especially folks who take the time to leave comments, to customers, fellow sellers and even the spammers!
Hope to see you all again in the New Year - although if the spammers want to target someone else, I don't mind that at all!
Here's the link to what other crafty people have been making this week.
Alison x
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Sunday, 16 December 2012
Sunday, 9 December 2012
Handmade Monday: Busy, busy, busy flowers
What a busy week! Record sales in my Folksy shop this week, and the little cord charm bracelets are still proving popular everywhere. There's not been time to do a tutorial, and at one point in the week, I was literally selling faster than I could make. Long may it continue, and if I can get to 100 sales on Etsy (I'm at 97 at the moment!) then that will make me a really happy crafty bunny.
Every sale just encourages me in my obsessional, charm-buying habit and this week was no exception. These beautiful flower connectors arrived in time for me to make and list cord bracelets in pink, coffee brown, red and lilac.
Aren't they pretty? One has sold today, so later I'll be making a replacement.
I thought they would also make nice bold but light earrings too and combined them with some of my favourite drawbench glass beads in deep blue with red and gold drizzled paint.
Drawbench glass beads, this time in red with green, blue and gold drizzles, also found their way into a flower themed bag charm...
... and into these 'bubble' rings...
...which were a bit of an experiment but might well get repeated. I thought they looked quite Christmassy - what do you think?
Talking of which, I have custom orders to do in time for Christmas, and presents to make for the family. And someone said it was only a couple of weeks away, now that can't be true, can it?!
Here's the link to see what other crafty folk have been up to this week.
Alison
Every sale just encourages me in my obsessional, charm-buying habit and this week was no exception. These beautiful flower connectors arrived in time for me to make and list cord bracelets in pink, coffee brown, red and lilac.
Aren't they pretty? One has sold today, so later I'll be making a replacement.
I thought they would also make nice bold but light earrings too and combined them with some of my favourite drawbench glass beads in deep blue with red and gold drizzled paint.
Drawbench glass beads, this time in red with green, blue and gold drizzles, also found their way into a flower themed bag charm...
... and into these 'bubble' rings...
...which were a bit of an experiment but might well get repeated. I thought they looked quite Christmassy - what do you think?
Talking of which, I have custom orders to do in time for Christmas, and presents to make for the family. And someone said it was only a couple of weeks away, now that can't be true, can it?!
Here's the link to see what other crafty folk have been up to this week.
Alison
Wednesday, 5 December 2012
Sunday, 2 December 2012
Handmade Monday: Viking weave
Just looked back and realised that it's a year since I promised my blog readers a tutorial on Viking weave. Well, better late than never! The shops have been really busy this week, so doing a tutorial is a change which is as good as a rest.
This is the original Viking weave bracelet I made - single knit, which is what I'm going to describe, and quite a fine chain. This was a try out piece made in fine copper tone wire.
I moved on to working with thicker wire for this set. The thicker wire is harder to work, but looks more substantial. When you do the 'magic' bit on wire like this, it is really incredible!
OK, here we go. You will need something round to work on, I'm using a chopstick, but the handle of a wooden spoon, or even a long thick pencil would do. Or you can buy a special tool called a Laizee Daizee if you are feeling flush. You'll also need wire. The smaller the gauge that you start with, the easier it is to work. I'm using 26 gauge (0.4m) wire for this demo. You will also need a drawplate - more on that later.
Step 1: Start by making a flower with some of the wire. This does not have to be neat or perfect, it's not even part of the finished design. Wrap the wire around your fingers 4 or 5 times and use the loose end to wrap around the middle. The number of petals on your flower determines the density of the knit - more will give a tighter knit. I find 4 or 5 is good.
Step 2: Squash the flower onto the top of the spoon or chopstick, so that the petals are quite evenly distributed around the circumference.
Step 3: Take a length of wire as long as you can comfortably work with. Joining in new wire is not a problem, so don't worry about using a long length - when you get used to the pattern, you'll probably find you can use a longer length. Make a loop around two of the flower petals as shown, as if you are going to sew them together.
Step 4: Move round to the next petal and make a similar loop which joins the second petal to the third and makes the same loop pattern in the wire as you started with. You will have a loop under the flower now - don't pull this tight, just leave it to rest.
Step 5: Keep going round the petals in this way until you get back to the start. At this point, make the same loop but around the base of the first loop that you formed to join the petals. You are aiming to make a row of these loops underneath each other. Now you just keep going....
Step 6: The great thing is, you don't have to be neat. Look what a messy sausage I've been this length - twirling around all over the place. The messier it is, the greater fun you'll have with the drawplate which will turn it into a tidy, organised chain. Honestly, no kidding!
Step 7: Don't panic when you come to the end of the length of wire. Simply take your new length of wire and make the first loop over the top of the last loop you made. Keep the two ends of wire lying together underneath your stiches. I twist the wires together for extra security and trim them. Keep working round with your new wire and eventually you will cover the twisted wires. The beauty of the knit is that the end of wire will be inside the finished links, so they won't be visible. I've seen some tutorials where people have used a crimp to keep the two wires together - I think this is more visible, but might be for you if you need extra security.
Step 8: Keep going until you have enough. How do you know when you have enough? Well, you need to bear in mind that you are going to be stretching the weave through the drawplate and it will get considerably longer when you do that. There is a way to calculate the length you need to knit:
length of finished chain required (inches)
_________________________ = x (number of inches of knit needed)
1.4 inches
so if you want an 18 inch chain for a necklace
18
___ = 12.8 inches
1.4
You will need to make about 12 or 13 inches. It's a rough calculation that will vary depending on how much drawplate work you do. If you make too little, you might get away with more use of the drawplate, but you will end up with a finer diameter of chain. If you make too much, you can simply snip the chain. The loop formation means you can do this without it unravelling. Again, the Viking knit takes quite a time, but is versatile.
So, you're nearly there and at the fun bit. Get your drawplate ready. You are going to convert your messy wire into something interesting...
I leave the flower on the top of the weave 'sausage' as it's a useful cone shape to push through the drawplate.
Step 9: Put the weave 'sausage' into the first hole it will fit in comfortably in your drawplate. There are lots of lovely drawplates around, some beautifully made in wood, I'm using my plastic BeadSmith one. Pull the chain sausage through the hole twice. It won't look much different, but might feel a little smoother round the edges. Go to the next smallest hole and do the same - two draws through the hole. It gets a bit more difficult as you work down the hole sizes, but each time the sausage gets a little narrower and tidies up a bit. The loops arrange themselves in perfect rows, and it starts to look like a very complicated and densely woven length of chain. You can pull through with the pliers on the flower on the top of the sausage when it gets to the smaller holes, as you are going to snip this flower off in a moment.
Step 10: Stop when your chain is at the diameter you want. The only other thing to do is to run it through your fingers along the chain a little bit to loosen it up, as it has acquired a bit of tension (as we all do from time to time!) from the drawing. Snip off the flower at the top. You have ends which can be finished in whatever way you want - the bottom end will have whatever length of wire you finished with and this can be used to link through the loops and pull together to make a neat end. You can do the same at the top - use a piece of wire to collect up the loop and pull them together into a cone shape. This can be wire wrapped, or fed into a finding - however you want to finish it.
I went to the last hole on the drawplate to make this a very fine chain. Here's another using slightly thicker wire (24 gauge, 0.5mm) where I stopped drawing on a larger diameter hole, and used a double knit.
How do you do a double knit? You can form your loop differently (into the row above the last one) - I found that difficult - or, as I did, simply use a double strand of wire each time. If you fold a long piece of wire in two, when you come to join in the next piece, you will have a bend in the wire instead of two loose ends, which is an advantage too as it's tidier to hide.
It looks a bit like chainmaille, doesn't it, or a neat cable knit?
Phew, hope that's clear! It's one of those things that sound complicated when you are describing it, but once you start doing it, you realise it's quite straightforward. If you really want to impress your friends, don't forget to tell them you are doing trichinopoly, a skill which probably dates back to the 9th century AD. That may or may not be a conversation-stopper!
Happy weaving/knitting!
Here's the link to what other crafty people have been doing this week.
Alison
This is the original Viking weave bracelet I made - single knit, which is what I'm going to describe, and quite a fine chain. This was a try out piece made in fine copper tone wire.
I moved on to working with thicker wire for this set. The thicker wire is harder to work, but looks more substantial. When you do the 'magic' bit on wire like this, it is really incredible!
OK, here we go. You will need something round to work on, I'm using a chopstick, but the handle of a wooden spoon, or even a long thick pencil would do. Or you can buy a special tool called a Laizee Daizee if you are feeling flush. You'll also need wire. The smaller the gauge that you start with, the easier it is to work. I'm using 26 gauge (0.4m) wire for this demo. You will also need a drawplate - more on that later.
Step 1: Start by making a flower with some of the wire. This does not have to be neat or perfect, it's not even part of the finished design. Wrap the wire around your fingers 4 or 5 times and use the loose end to wrap around the middle. The number of petals on your flower determines the density of the knit - more will give a tighter knit. I find 4 or 5 is good.
Step 2: Squash the flower onto the top of the spoon or chopstick, so that the petals are quite evenly distributed around the circumference.
Step 3: Take a length of wire as long as you can comfortably work with. Joining in new wire is not a problem, so don't worry about using a long length - when you get used to the pattern, you'll probably find you can use a longer length. Make a loop around two of the flower petals as shown, as if you are going to sew them together.
Step 4: Move round to the next petal and make a similar loop which joins the second petal to the third and makes the same loop pattern in the wire as you started with. You will have a loop under the flower now - don't pull this tight, just leave it to rest.
Step 5: Keep going round the petals in this way until you get back to the start. At this point, make the same loop but around the base of the first loop that you formed to join the petals. You are aiming to make a row of these loops underneath each other. Now you just keep going....
Step 6: The great thing is, you don't have to be neat. Look what a messy sausage I've been this length - twirling around all over the place. The messier it is, the greater fun you'll have with the drawplate which will turn it into a tidy, organised chain. Honestly, no kidding!
Step 8: Keep going until you have enough. How do you know when you have enough? Well, you need to bear in mind that you are going to be stretching the weave through the drawplate and it will get considerably longer when you do that. There is a way to calculate the length you need to knit:
length of finished chain required (inches)
_________________________ = x (number of inches of knit needed)
1.4 inches
so if you want an 18 inch chain for a necklace
18
___ = 12.8 inches
1.4
You will need to make about 12 or 13 inches. It's a rough calculation that will vary depending on how much drawplate work you do. If you make too little, you might get away with more use of the drawplate, but you will end up with a finer diameter of chain. If you make too much, you can simply snip the chain. The loop formation means you can do this without it unravelling. Again, the Viking knit takes quite a time, but is versatile.
So, you're nearly there and at the fun bit. Get your drawplate ready. You are going to convert your messy wire into something interesting...
I leave the flower on the top of the weave 'sausage' as it's a useful cone shape to push through the drawplate.
Step 9: Put the weave 'sausage' into the first hole it will fit in comfortably in your drawplate. There are lots of lovely drawplates around, some beautifully made in wood, I'm using my plastic BeadSmith one. Pull the chain sausage through the hole twice. It won't look much different, but might feel a little smoother round the edges. Go to the next smallest hole and do the same - two draws through the hole. It gets a bit more difficult as you work down the hole sizes, but each time the sausage gets a little narrower and tidies up a bit. The loops arrange themselves in perfect rows, and it starts to look like a very complicated and densely woven length of chain. You can pull through with the pliers on the flower on the top of the sausage when it gets to the smaller holes, as you are going to snip this flower off in a moment.
Step 10: Stop when your chain is at the diameter you want. The only other thing to do is to run it through your fingers along the chain a little bit to loosen it up, as it has acquired a bit of tension (as we all do from time to time!) from the drawing. Snip off the flower at the top. You have ends which can be finished in whatever way you want - the bottom end will have whatever length of wire you finished with and this can be used to link through the loops and pull together to make a neat end. You can do the same at the top - use a piece of wire to collect up the loop and pull them together into a cone shape. This can be wire wrapped, or fed into a finding - however you want to finish it.
I went to the last hole on the drawplate to make this a very fine chain. Here's another using slightly thicker wire (24 gauge, 0.5mm) where I stopped drawing on a larger diameter hole, and used a double knit.
How do you do a double knit? You can form your loop differently (into the row above the last one) - I found that difficult - or, as I did, simply use a double strand of wire each time. If you fold a long piece of wire in two, when you come to join in the next piece, you will have a bend in the wire instead of two loose ends, which is an advantage too as it's tidier to hide.
It looks a bit like chainmaille, doesn't it, or a neat cable knit?
Phew, hope that's clear! It's one of those things that sound complicated when you are describing it, but once you start doing it, you realise it's quite straightforward. If you really want to impress your friends, don't forget to tell them you are doing trichinopoly, a skill which probably dates back to the 9th century AD. That may or may not be a conversation-stopper!
Happy weaving/knitting!
Here's the link to what other crafty people have been doing this week.
Alison